by Vanessa Romo
When relaying why she chose the farm fields for her college graduation photo shoot, Jennifer Rocha explained it’s because that’s where her parents “sacrificed their backs, their sweat, their early mornings, late afternoons, working cold winters, hot summers just to give me and my sisters an education.”
When relaying why she chose the farm fields for her college graduation photo shoot, Jennifer Rocha explained it’s because that’s where her parents “sacrificed their backs, their sweat, their early mornings, late afternoons, working cold winters, hot summers just to give me and my sisters an education.”
Jennifer Rocha wanted to hear the rustle of her black graduation gown against the bell pepper bushes in the California farm fields. She wanted to see the hem float above the dirt paths that she and her parents have spent years walking as a family while plucking heavy gallons of perfectly ripe fruits and vegetables that end up in America’s grocery stores.
Jane's second novel!
A once-thriving Central Valley farm town, is now filled with run-down Dollar Stores, llanterias, carnicerias, and shabby mini-marts that sell one-way bus tickets straight to Tijuana on the Flecha Amarilla line. It’s a place . . .
That’s why she decided to take her college graduation photos in the same hot vegetable fields in Coachella, Calif., where she has worked with her parents since she was in high school.
“I’m proud that that’s where I come from,” says Rocha, who graduated from the University of California, San Diego on Saturday. “It’s a huge part of who I am.”
“The whole reason I wanted to go back to the fields with my parents is because I wouldn’t have the degree and the diploma if it wasn’t for them. They sacrificed their backs, their sweat, their early mornings, late afternoons, working cold winters, hot summers just to give me and my sisters an education.”
Originally published on Valley Public Radio | NPR for Central California site. Read full article.
BLOG HIGHLIGHTS
-
Characters who can’t be whole
Some of the most compelling fictional characters are the ones split between who they are, what they want, and what they fear. As a narrative device, this dual identity creates an inner conflict/external conflict that drives a plot . . . READ MORE
-
Fear that pushes characters forward
Fear is one of fiction’s oldest engines. While many plots are driven by what a character wants, a fear-driven plot is often fueled by what they’re afraid to lose. These kinds of stories begin subtly — not with a villain appearing in a . . . READ MORE
